Mad Hatter 2.0 – metal band from Devon, UK

Mad Hatter 2.0 (metal band from Devon, UK)

Mad Hatter 2.0 (metal band from Devon, UK)

I’d been wanting to shoot with my good buddies Mad Hatter 2.0 for a long time; they’re one of my favourite unsigned acts in the South West, a very hard-working band who have hit the gigging scene hard and haven’t taken their foot off the pedal in a while. They’ve just been through a lineup change and brought in two new guitarists, so this seemed like a great time for us to finally get a shoot together. I’m really pleased with how these came out!

To hear their music, go HERE.

STROBIST:

Elinchrom BX250Ri in 100cm Deep Octa, boomed in front

Elinchrom BX500Ri with silver reflectors, rear left and right

CAMERA:

Nikon D700, f8, 1/100s, ISO200
Tamron AF 28-75mm f/2.8 XR Di LD

Bonemud (metal band from Bristol, UK)

Bonemud (metal band from Bristol, UK)

My first shoot of the year saw Bristol-based metallers Bonemud making the journey down for some promo shots of their new lineup. A great bunch of guys to work with, frontman Scott had tons of charisma and ideas which always helps.

To hear their music, go HERE.

STROBIST:

Elinchrom BX250Ri in 1000cm Deep Octa, boomed in front

Elinchrom BX500Ri with silver reflectors, rear left and right

CAMERA:

Nikon D700, f8, 1/100s, ISO200
Nikkor 35mm f2

Zoltar Speaks – Metal band from Minehead, UK

Zoltar Speaks (Metal band from Minehead, UK)

Zoltar Speaks (Metal band from Minehead, UK)

Zoltar Speaks (Metal band from Minehead, UK)

As part of a hectic weekend of shoots I got together with Zoltar Speaks, a female-fronted metal band hailing from Minehead. We had a fun shoot, they’re really nice people and I’ll definitely try to work with them again in the future!

To hear their music, go HERE.

STROBIST:

Elinchrom BX250Ri in 70cm Softlite silver beauty dish, boomed in front

Elinchrom BX500Ri in 66cm Portalite softboxes x2, rear left and right

CAMERA:

Nikon D700, f8, 1/125s, ISO200
Nikkor 35mm f2

Two pieces of hardware that revolutionised my editing – Hazro HZ30Wi-Q and Wacom Intuos 4 M

After a busy weekend of shooting and editing, I decided I’d write about two bits of hardware I’ve purchased over the past few months that have really made my life a lot easier – a large monitor and a graphics tablet!

Hazro HZ30Wi-Q

I’d felt that my monitor was letting me down for some time before I stumbled across Hazro. Unusually in this day and age, their monitors are built right here in in England – though obviously incorporating foreign-built panels.

The HZ30Wi-Q is the company’s flagship consumer model, with a massive 30″ screen and 2560×1600 resolution. Currently retailing at £649 (exc VAT), this monitor is cheaper than any other I could find in this size range. It utilises the same panel as the Apple Cinema which costs well over a grand.

This monitor is seriously lacking in features, with only an on/off button and backlighting brightness control on the monitor itself, but any serious photographer should be using a hardware calibration device anyway (I use the HueyPro). I really like its stripped-down, no-nonsense look and I’d rather have my money going towards panel quality than bells and whistles.

Nothing beats a nice big display for close-up editing work, and this one has been a joy to use so far. It’s really changed the way I work, allowing for much finer appraisal of detail.

Hazro seem to be a bit under the radar in the consumer sector, with most of their business being with businesses rather than individuals, but I urge anyone considering a new monitor to check them out at http://www.hazro.com/

Wacom Intuos 4 M

I’d put off getting a tablet for a long time, telling myself I was more than happy using a mouse. When I did finally take the plunge, I spent several frustrating days trying to get to grips with the Intuos 4… but when it finally clicked and I adjusted to it, I realised what all the fuss is about! Simply put, a tablet makes all kinds of tasks faster, more accurate and more refined – particularly when doing things like compositing and blending multiple layers. It allows you to work with real finesse, blending on the fly instead of constantly changing brush opacity settings. Cutouts are a breeze, making selections feels so much more intuitive and natural than with a mouse.

One big plus for me as a lefty is that the Intuos 4 is designed to function perfectly for people of either dexterity.

I’m sure most photographers have heard the name Wacom, but if you haven’t, you really should go and see what you’ve been missing at http://www.wacom.com

I’ve just completed three shoots in the past week so watch this space for some new photos, which I will of course be editing using the aforementioned tablet and monitor!

Harry
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Daniel Longyear – male model from Thailand

I met a fellow photographer called Alex Toze at a friend’s wedding recently and we decided it’d be fun to hook up for a shoot in my studio with Alex’s friend Dan, who lives in Thailand but briefly was back in the UK.

I jumped at the chance to work with Dan as I knew his physique and good looks would make him a great subject for my usual punchy, dramatic lighting and editing style!

Daniel Longyear

Daniel Longyear

STROBIST:

Elinchrom BX250Ri in 100cm Deep Octa without external diffuser, boomed in front

Elinchrom BX500Ri in 66cm Portalite softboxes x2, rear left and right

CAMERA:

Nikon D700, f9, 1/125s, ISO200
Nikkor 80-200mm f2.8

The Rhumba Kings – rockabilly band from Belgium

The Rhumba Kings (Rockabilly band, Belgium)

I was on tour in Belgium with my band last weekend and took the opportunity to do a few photos for our good friends The Rhumba Kings at the Ace Cafe before our show on Sunday.

It is a very small place with low ceilings and proved quite a challenging space to work in with my lights, but I’m pleased with how this one turned out! This was one of the first ‘test’ shots I snapped as I was getting the lighting right and happily it turned out to be one of the picks of the bunch.

The Rhumba Kings (Rockabilly band, Belgium)

The two rim lights were in 66cm softboxes, which are just out of shot to the rear on both sides, crammed in against the corner walls of the venue – they couldn’t be any further away.

The main was out in front in a deep octabox, as high as I could get it against the low ceiling!

Like Minds 2011 – Birthday Cake, Empathy & Tea

I thoroughly enjoyed covering this year’s Like Minds in Exeter and thought I’d share some of my feelings and favourite photos from the conference.

Being present at a conference as a photographer rather than an attendee can give you a unique perspective on a world which you grow to feel a part of, but also necessarily apart from. Eventually most people recognise me as that guy rushing around all day with a camera, but when the time comes to turn my lens on them I want to blend into the background and go unnoticed as much as possible. I’m not looking for poses or forced smiles – I want to capture the true spirit of how people are feeling, genuine moments of human interaction uninhibited by the awareness of a camera. To me, those little unique moments that can’t be faked are the ones that tell the true story of an event. Of course it’s also important to get the meat and potatoes coverage of the speakers, but the real flavour is often found in what is happening in the wings and out of sight.

In his Friday morning insight on The Case For Participation, Like Minds co-founder Scott Gould talked about listening being more important than broadcasting in marketing and I feel this is also critical advice for any good event photographer. It’s the photographer’s job to stand back with open eyes and ears, not to try and make the story happen or dictate the flow. Capturing the moment is about anticipation and being in the right time at the right place is critical.

With the advent of decent cameras in mobile phones, I have come to feel it’s now more than ever my duty to cover as much ground as possible. The progress and democratisation of technology is a huge challenge to the role of the professional photographer and it’s our job to step up to the mark and work doubly hard to get even greater shots. Throughout Like Minds I saw some fine work shared by other people, really raising the bar – I humbly hope my photos are a positive contribution to that already wonderful pool of memories and moments captured and shared by others throughout the conference.

Having previously covered the event in 2010, it was pleasant to see lots of familiar faces but also many new ones. The conference had a different feel to last year, with the loss of co-founder Trey Pennington clearly still keenly felt by friends, colleagues and all who had come into contact with him. However, his warmth, generosity and passion clearly live on in the spirit of Like Minds. The first day culminated with a fitting tribute to him and the introduction of a new yearly award in his name, setting the tone for a positive and forward-thinking few days.

So, without further ado, here are a few of my personal highlights of Like Minds 2011 (click to view larger and comment on Flickr).

Like Minds 2011 Day 1

A simple stage shot, but I feel it resonates greatly. Scott’s love of Trey as a friend and mentor are clear to all, and I know that Scott will feel that Trey was there to watch over him this year as the conference paid tribute to him.

Like Minds 2011 Day 2

Gabrielle Laine-Peters stole the show on Thursday afternoon as she told a rapt audience about her near-death experience in New York on 9/11. The emotion was tangible in the room. As she left the stage to a standing ovation, fellow speaker Molly Flatt gave her a warm, caring hug. I was lucky to be in the right spot to fire off a few shots, and fortunately this one came out really well.

Like Minds 2011 Day 1

A simple exchange of business cards in front of a statue of a cherub somehow says more about this conference than I can put into words!

Like Minds 2011 Day 1

Having just posed the loaded question of whether we’d hypotetically be prepared to kill our young, Molly Flatt is asked to take Scott’s baby Summer from the stage and pulls a theatrical grimace to show her mock displeasure! A moment that made everyone in the room smile.

Like Minds 2011 Day 2

Just one of those weird moments that reminded me of the fact that I was an outsider – coming into this immersive session as it was in mid-flow meant I had no idea why these things had been collected together, but their juxtaposition tickled me.

Like Minds 2011 Day 2 Like Minds 2011 Day 2

Chris Baréz-Brown really got the crowd going with his energetic and passionate performance. He opened by getting everyone to put their hands in the air, then asked them to hug their neighbours. I quickly turned my camera on the crowd, and whilst I really had to push this in post to bring out the detail in the darkened room I’m glad I managed to capture a moment that really sums up the positive vibe and good spirit of Like Minds.

Like Minds 2011 Day 3 Like Minds 2011 Day 2 Like Minds 2011 Day 2

The battle of the killer heels raged on at floor level throughout the conference,sparking intense discussions on Twitter. Whether you were a fan of Delphine Remy-Boutang’s stylish Louboutins or rooting for Gabrielle’s rock’n'roll Rocket Dogs, there was something for every conference-going fashionista to covet!

Like Minds 2011 Day 3

Baby Summer again takes to the stage, following in her father’s footsteps – her presence throughout the event elicited smiles from all who she came into contact with and I’m sure she has a bright future ahead of her.

Like Minds 2011 Day 3

Even over lunch the attendees were all switched on and engaged, and with the importance of social media being a central theme in the conference it’s unsurprising that a smartphone displaying the Like Minds Twitter feed was never far from view.

Like Minds 2011 Day 1

OK, so this one was a bit of a setup, not a natural capture – but the brain was just sitting there invitingly, Phil came to me with the idea and I couldn’t resist!

It was a pleasure to be a part of Like Minds 2011, I hope you all enjoy looking through the photos as much as I enjoyed taking them. The full photoset is available on the Like Minds Flickr page.

Finally, I feel I should also mention Molly Beddingfield’s inspirational presentation on her charity  Global Angels, an organisation run on radical new lines that is definitely worth checking out for anyone who likes to give to charity.  I can definitely see a lot more charities being run with a 100% promise in the future, and it’s brave and forward thinking of them to be the first – that I’m aware of, at least.

Harry
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Welcome to my blog!

Hi, I’m Harry, a photographer based in sunny Devon, England. I specialise in studio portrait photography but also occasionally cover conferences, weddings and other events. I’ll be using this blog to keep a journal of my photographic assignments – look forward to your comments!

Harry
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